{"id":194,"date":"2018-08-30T22:33:05","date_gmt":"2018-08-30T22:33:05","guid":{"rendered":"http:\/\/marcschmalz.com\/blog\/?p=194"},"modified":"2018-10-06T22:48:18","modified_gmt":"2018-10-06T22:48:18","slug":"williams-1981-culture","status":"publish","type":"post","link":"http:\/\/marcschmalz.com\/blog\/williams-1981-culture\/","title":{"rendered":"Williams 1981: Culture"},"content":{"rendered":"<p>My advisors thought I needed to be able to describe the relationship between culture and identity better, so I turned to Raymond Williams.<\/p>\n<p>Defining culture:<\/p>\n<blockquote><p>In more general usage, there was a strong development of the sense of &#8216;culture&#8217; as the active cultivation of the mind. We can distinguish a range of meanings from (i) <em>a developed state of mind<\/em> &#8211; as in &#8216;a person of culture&#8217;, &#8216;a cultured person&#8217; to\u00a0(ii) <em>the process of this development<\/em> &#8211; as in &#8216;cultural interests&#8217;, &#8216;cultural activities&#8217; to\u00a0<span style=\"font-size: 1.5rem;\">(iii) <em>the means of these processes<\/em> &#8211; as in cultures as &#8216;the arts&#8217; and &#8216;humane intellectual works&#8217;. In our own time, (iii) is the most common general meaning, though all are current. It coexists, often useasily, with the anthropolitical and extended sociological use to indicate the &#8216;whole way of life&#8217; of a distinct people or other social group. (p. 11.)<\/span><\/p><\/blockquote>\n<p>Two historic main approaches (p. 11-12):<\/p>\n<ol style=\"list-style-type: upper-alpha;\">\n<li>Idealist. &#8220;an emphasis on the &#8216;<em>informing spirit<\/em>&#8216; of a whole way of life, which is manifest over the whole range of social activities but is most evident in &#8216;speciically cultural&#8217; activities &#8211; language, styles of art, kinds of intellectual work&#8221;. Broad method: &#8220;illustration and clarification of the &#8216;informing spirit&#8217;, as in national histories of styles of art and kinds of intellectual work which manifest, in relation with other institutions and activities, the central interests and values of a &#8216;people&#8217;.<\/li>\n<li>Materialist. &#8220;an emphasis on &#8216;<em>a whole social order<\/em>&#8216; within which a specifiable culture, in styles of art and kinds of intellectual work, is seen as the direct or indirect product of an order primarily constituted by other social activities. Broad method: &#8220;exploration from the known or discoverable character of a general social order to the specific forms taken by its cultural manifestations.&#8221;<\/li>\n<\/ol>\n<p>Williams&#8217;s take on their modern (circa 1981) convergence: &#8220;In contemporary work, while each of the earlier positions is still held and practised, a new kind of convergence is becoming evident. This has many elements in common with [materialist], in its emphasis on a whole social order, but differs from it in its insistance that &#8216;cultural practice&#8217; and &#8216;cultural production&#8217; (its most recognizable terms) are not simply derived from an otherwise constituted social order but are themselves major elements in its constitution. It then shares some elements with [idealist], in its emphasis on cultural practises as (though now among others) constitutive. But instead of the &#8216;informing spirit&#8217; which was held to constitute all other activities, it sees culture as the signifying system through which necessarily (though among other means) a social order is communicated, reproduced, experienced and explored.&#8221; (p. 12-13).<\/p>\n<p>More to come here as I read more of Williams.<\/p>\n<h4>Citation<\/h4>\n<p>Williams, R. (1981). <em>Culture<\/em>. London: Fontana.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My advisors thought I needed to be able to describe the relationship between culture and identity better, so I turned to Raymond Williams. <a class=\"more-link\" href=\"http:\/\/marcschmalz.com\/blog\/williams-1981-culture\/\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-194","post","type-post","status-publish","format-standard","hentry","category-cultural-production"],"_links":{"self":[{"href":"http:\/\/marcschmalz.com\/blog\/wp-json\/wp\/v2\/posts\/194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/marcschmalz.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/marcschmalz.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/marcschmalz.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/marcschmalz.com\/blog\/wp-json\/wp\/v2\/comments?post=194"}],"version-history":[{"count":6,"href":"http:\/\/marcschmalz.com\/blog\/wp-json\/wp\/v2\/posts\/194\/revisions"}],"predecessor-version":[{"id":267,"href":"http:\/\/marcschmalz.com\/blog\/wp-json\/wp\/v2\/posts\/194\/revisions\/267"}],"wp:attachment":[{"href":"http:\/\/marcschmalz.com\/blog\/wp-json\/wp\/v2\/media?parent=194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/marcschmalz.com\/blog\/wp-json\/wp\/v2\/categories?post=194"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/marcschmalz.com\/blog\/wp-json\/wp\/v2\/tags?post=194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}